Chona’s current artistic practice is expressed through earth-based alchemy, a process which involves using natural materials such as plants and soils in producing bodies of work which combine ancestral baTonga knowledge and contemporary experimental techniques. Visual poetry is another expression of Chona’s artistic practice. Collages are used as mediums alluding to the intersections of ancestral histories, the present-day and the future of baTonga. Anthropological photographs are often used alongside objects, images and histories of personal accord.Her research and curatorial practice are geared towards the unearthing and exploration of themes of identity, memory, and resistance grounded in a sense of storytelling and healing through alternative mediums. In its entirety Chona’s practice is grounded in the self-composed methodology of Radical Zambezian Reimagination.